607 a Oops I Did It Again Trilulilu
| Oops!... I Did It Over again | ||||
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| Studio album past Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Over again | ||||
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Oops!... I Did Information technology Once again is the 2nd studio album past American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut anthology ...Baby One More Time (1999), it is a pop, dance-pop, and teen pop record, the album incorporates a more funkier and R&B sounds.[1] Contributions to the album's production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did Information technology Once more received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The album became a massive commercial success, debuting at number one in over twenty countries while peaking inside the top 5 in various other. In the United states, it debuted at number ane on the Billboard 200, with first-calendar week sales of 1.39 million copies, condign the fastest selling album by a female artist since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[3] This record was broken xv years later by Adele's 25, which sold over 3.38 one thousand thousand copies in its first week of release.[4] It became Spears' second consecutive album to exist certified Diamond by the Recording Industry Association of America, denoting sales of over x million copies in the United States, making Spears at historic period eighteen the youngest creative person to have multiple diamond albums.[5] With worldwide sales of over 20 million copies,[6] Oops!... I Did It Again is 1 of the acknowledged albums of all-time.
Four singles were released to promote the album. Its title runway was commercially successful in a number of territories, reaching number one in xv countries and peaking at number nine on the US Billboard Hot 100. Its 2d single, "Lucky", peaked at number one in Republic of austria, Germany, Sweden and Switzerland, within the top ten in Australia, Kingdom of belgium, Canada, Denmark, Ireland, Italy, holland, New Zealand, Norway, Poland, Romania and the U.k., and at number twenty-iii on the United states Billboard Hot 100. Its third single, "Stronger", reached the superlative x in Republic of austria, Finland, Federal republic of germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number xi on the The states Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Commonwealth of australia, Denmark, Federal republic of germany, New Zealand, Sweden, and the The states. Its final single, "Don't Allow Me Be the Concluding to Know", was moderately successful on the charts, peaking at number one in Romania, and inside the top ten in Austria, Poland, and Switzerland, but failed to nautical chart on the U.s. Billboard Hot 100. To promote the album, Spears performed on several television shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical guest for the first time on Sat Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Over again Tour, starting on June 20, 2000 and catastrophe at the Rock in Rio festival on Jan xviii, 2001.
Recording and production [edit]
"When I did the kickoff album, I had simply turned 16. I mean, when I expect at the album cover, I'm like, 'Oh, my lordy.' I know this next album's going to exist totally unlike--peculiarly the material. I simply got finished recording the first six tracks in Sweden two months ago, and the fabric is then much more funkier and edgier. And, of form, it's more mature because I've grown as a person too."
—Spears on the progression of her fabric for the anthology.[7]
After vacationing for vi days post-obit the completion of the ...Baby Ane More Time Tour in September 1999,[8] Spears returned to New York City to brainstorm recording songs for her next album; the majority of the recording took identify in November. Information technology featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did Information technology Again", "Walk on By" (later covered by Gareth Gates), "What U Come across (Is What U Get)", and "Don't Get Knockin' on My Door" were the first to be recorded at Martin's Cheiron Studios in the offset calendar week of November; followed past "Stronger" and "Lucky", which were finalized (along with the title track) in January 2000. Spears recorded "Don't Let Me Be the Last to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are Y'all At present" was an outtake from ...Babe One More Fourth dimension. "Daughter in the Mirror" and "Tin't Make Y'all Love Me"'due south instrumental rail and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-Jan at Parc Studios in Orlando, Florida.[eleven] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren's "When Your Eyes Say It" at Battery Studios on Fri, Jan 28, 2000, which preceded her TRL appearance that day. "One Kiss from You" was too recorded at Bombardment Studios but was later on finished at tertiary Floor in New York City. Spears also recorded the last runway for the album "Dear Diary" which would later be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Heart". Her encompass of "(I Can't Become No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 after attending the 42nd Annual Grammy Awards.[13] [14]
By January, the then-untitled anthology was halfway to completion; Spears had worked on it primarily in the United States and Sweden, and finalized fabric in New York City.[ix] She was heavily pressured after ...Baby I More than Fourth dimension 's huge commercial success, stating: "It's kind of difficult following ten million, I have to say. But after listening to the new material and recording it, I'm actually confident with information technology."[15] Upon the release of Oops!...I Did It Once more, Spears said: "I hateful, of course there'due south some pressure level", and added: "But in my opinion, [Oops!] is a lot better than the commencement album. It's edgier – it has more of an attitude. Information technology's more me, and I call back teenagers will relate to it more." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did Information technology Over again less than a yr and a half after Spears' debut amounts to "very smart timing. My philosophy is when yous have a young fan base, become 'em while they're hot."[xvi]
Music and lyrics [edit]
Oops!... I Did Information technology Over again was considered as a sequel to Spears' debut anthology, ...Babe One More Time (1999),[one] percolating with a carefully measured blend of familiar pop, funk, R&B and ability balladry.[17] Spears said during an interview that the anthology has a more mature, R&B-flavored pop sound. "It's not something I changed purposefully", Spears said of the album'southward sound and added: "It's simply something that kind of changed on itself with me being older. My vox has changed a piddling bit and I'g more confident, and I remember that comes beyond on the material."[7] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It's going to shock everybody", adding: "Information technology has flavors of the original, simply it's a directly 2000 version — new to the ear. Which I think is cool, because people who capeesh that song are going to love it. And I made it and so new and young that the immature kids that love Britney are going to dearest information technology. It's going to catch both a mature and young audition."[18] Spears worked with Robert "Mutt" Lange on "Don't Let Me Exist the Concluding to Know", telling MTV News: "When you hear the song, information technology's so pure and delicate. It's just one of those songs that pull yous in", and added: "I think they wrote it 'specially for me, considering the lyrics of the song, if you lot really mind … they're more of what I can relate to, 'crusade they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'yard saying."[18]
The title track and opening song, "Oops!... I Did It Again", was compared to her debut single, "...Baby One More than Fourth dimension" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized shell. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you think I'm in love/That I'chiliad sent from above — I'k non that innocent."[19] The vocal also breaks downwardly for a spoken-word interlude, involving a line from the film Titanic (1997).[19] The 2d track "Stronger" is a synthpop[20] and R&B-infused track,[18] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like holding.[21] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her vocal "...Baby One More Time".[xviii] Another R&B-infused track, which likewise adds a bit more than funk to the mix,[18] "Don't Go Knocking on My Door" finds Spears confidently forging ahead after a breakup.[21] The fourth rails, a comprehend of the Rolling Stones' "(I Tin can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[22] The dance-pop version besides jettisons the song's final poetry and adds some new lyrics[18] ("how white my shirts could be" becomes "how tight my skirt should be").[23] "[It] was my thought [to tape the vocal]", Spears said. "I was just like, 'I like this vocal,' and I call up information technology will be a really absurd combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song like that."[24] The fifth track, "Don't Allow Me Be the Terminal to Know", was co-written by country-popular singer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who also produced the track.[18] The carol, which boasts a slinky keyboard riff and Lange'due south characteristically lavish production, finds Spears allowing a bit of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... simply I need to hear it straight from you lot", she sings.[eighteen]
The sixth track "What U See (Is What U Get)" demands respect by rebuking a jealous partner,[21] while the seventh track, "Lucky", is a eye-rending tale of a Hollywood starlet's loneliness, proving that fame can be empty.[21] "If there's goose egg missing in my life/And so why do these tears come at night?", she asks.[20] "Schoolhouse vanquish" is the theme of "One Kiss from You",[21] a rails that has a reggae-manner beat and lyrics nigh the feelings of falling in love, and the quickness of it,[25] with Spears cooing that after just one kiss she sees her entire future with her lover.[26] The ballad "Where Are Yous At present" talks about wanting to know where a previous honey is, and what that person is upward to, and so that she can finally let them become and find closure.[ citation needed ] Lines on "Can't Make You lot Love Me", a Europop song,[22] country that fancy cars and money pale in comparison to truthful love,[21] with Spears singing: "I'm merely a girl with a beat out on you."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written past songwriter Diane Warren, combines a string section with a loping hip hop vanquish,[eighteen] while Spears makes her own songwriting debut on the modest, keyboard-driven carol "Dear Diary", which she said is autobiographical. On the rails, she sings of wanting to become "so much more than than friends" with a boy.[18]
Release and promotion [edit]
In tardily 1999, Spears promoted her upcoming album in Europe with alive performances of her by songs. She appeared on Nail Hits in the United Kingdom.[27] In Italy, she did a short interview on the television testify TRL Italy in early on 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May xiii.[27] In Spain, she gave an interview with El Rayo on September viii and October 24.[27] Spears performed at big venues in the United Kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a brusque Britain outing in October 2000.[28]
Oops!... I Did It Again was commencement released in Japan on May iii, 2000, and was later released in the United States on May sixteen. In the United States, Spears appeared on Saturday Dark Live on May 13, The Rosie O'Donnell Show on May xv, and Teen People's 25 Under 25 on May 26.[29] On May 10, she was interviewed on Late Night with Conan O'Brien.[27] On May 13, Spears was both the host and musical guest on NBC's Saturday Dark Live. She also performed on NBC's The This evening Testify with Jay Leno on May 23.[30] Spears' held her post-TRL listening political party, "Britney'southward Starting time Heed", on May 16, and was toast the arrival of her album on side by side Tuesday's installment of TRL that started at 3:thirty p.m. (ET).[31] On May fourteen, she was at Times Square studios for ii hours of "Britney Live" that started at noon.[31] Spears performed "Oops!... I Did It Again" on MTV's All Admission: Backstage with Britney that was broadcast on July xix, 2000.[27] On September vii, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable live operation.[32] which included a cover of the Rolling Stones's hitting single "(I Can't Get No) Satisfaction" (1965) and her own hit "Oops!... I Did It Again", released before that yr. While she began her segment in a black suit, she shocked the audience and the media while, at only the age of eighteen, ripped information technology off to brandish a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] 1 calendar month before the release of the album, Spears headed to Hawaii on Easter Sunday so she could tape a Fox television receiver special titled Britney Spears in Hawaii. The complimentary concert was held on the embankment in front end of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Fox concert consequence was intended to serve as a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[34] Spears had on a month-long international promotional tour in support of Oops!... I Did Information technology Once again, and on May 2, she had a printing effect at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[35] Spears was as well amid the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at viii p.m. (ET/PT).[36] She was also expected to appear on a Grammy-day TRL.[36]
The album'due south supporting bout, the Oops!... I Did It Once more Tour, visited North America, Europe, and Brazil as function of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Permit Me Be the Last to Know". On June 24, 2000, Spears was featured in a print and goggle box advertising campaign for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own song for the make chosen "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was part of a pre-concert video presentation for Spears's l-metropolis summertime concert bout, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did It Again" was released as the lead single from the anthology and achieved worldwide popularity. It became Spears'due south third peak-10 hit unmarried on the The states Billboard Hot 100, peaking at number ix; notwithstanding, in comparison to the huge success of her debut single "...Babe One More Fourth dimension", Jive Records considered "Oops!... I Did It Once again" a minor disappointment.[38] The vocal peaked at number one on the US Mainstream Top 40,[39] holding the tape for the virtually radio additions in one day. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United kingdom of great britain and northern ireland.[40] An accompanying music video for "Oops!... I Did It Once more" saw Spears on Mars in now-iconic red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Center of the Sea precious stone which Rose threw into the bounding main at the end of Titanic.[41]
The album's second unmarried, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her best offerings from the album. Commercially, "Lucky" topped the charts in Austria, Federal republic of germany, Sweden and Switzerland, while reaching number five on the UK Singles Chart.[42] In the United States, "Lucky" only managed to peak at number twenty-three on the Billboard Hot 100 chart and at number nine on the Mainstream Top 40.[38] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[43]
The tertiary single, "Stronger", was released on Oct 31, 2000 and became the album's second highest-charting single in the United States, peaking at number 11 on the Billboard Hot 100 and number one on the Hot Unmarried Sales.[38] It reached number seven on the U.k. Singles Nautical chart.[44] Its music video sees Spears catching her boyfriend cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasance Principle".[45]
The fourth and final single, "Don't Let Me Be the Terminal to Know", was released on March 12, 2001 and is one of Spears' favorite tracks of her career. In the United States, the song performed well beneath expectations, failing to nautical chart on the Billboard Hot 100 nor the Mainstream Top 40. Still, the song attained success in Europe, topping the Romanian Top 100 and peaking inside the peak 10 in Republic of austria, Poland and Switzerland, while but missing the elevation x in Germany, Ireland, Sweden and the U.k., peaking at number twelve in all of them.[46] The music video was considered too racy at the time, portraying Spears in dear scenes with her fictional boyfriend, played by French model Brice Durand.[47]
"Yous Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Optics Say It" was released in the United Kingdom in January 2001.[ commendation needed ]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[17] |
| Christgau's Consumer Guide |  [fifty] |
| Amusement Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | 8/x[52] |
| NME | 8/x[20] |
| Rolling Stone |  [23] |
| Salon | favorable[53] |
| Sonic.net | [54] |
Oops!... I Did It Over again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[55] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy dance-pop that made '1 More Time'," but remarked that, "Fortunately, she and her production team not but have a stronger overall set of songs this time, but they too occasionally get carried away with the aforementioned bewildering magpie aesthetic, [...] giv[ing] the album character autonomously from the well-crafted trip the light fantastic toe-pop and ballads that serve as its heart. In the end, it's what makes this an entertaining, satisfying mind."[one] Billboard magazine wrote that "'Oops!...' indicates that she'southward developing a soulful border and emotional depth that tin can't be conjured with a glass-shattering notation," praising the album for consistently cast[ing] Spears as a immature woman coming to terms with her inner power—and that's a darn expert message to offer an impressionable audience."[17] Entertainment Weekly's David Browne gave the album a B-rating, writing that the album "reminds us once once more that the best new pop can be a nail of cool air in a stifling room."[22]
Rob Sheffield of Rolling Stone gave the anthology a iii-and-a-one-half out of five stars rating, calling the album "fantastic pop cheese, with much better song-factory hooks than 'Due north Sync or BSB get", too noting that "the dandy thing nearly Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true child of rock & roll tradition."[23] A writer of NME reported that "she'south modern-mean solar day popular perfection realised in a nearly, human course", commenting that "she'southward done it again."[20] Lennat Mak of MTV Asia named information technology "a bright second album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of course, all-encompassing media exposure."[52] Andy Battaglia of Salon chosen the album "a masterpiece of sorts not for its bulletin but for the way it applies the conventions of the popular-musical medium."[53] Website The A.Five. Guild was more than mixed, calling it "a joyless chip of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and contrasted Swedes."[56]
Accolades [edit]
Commercial performance [edit]
In the United States, Oops!... I Did It Again reportedly sold 500,000 copies in its start mean solar day of release.[62] It debuted at number one on the Billboard 200 chart, with first-week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest offset-week sales by a female artist.[66] This tape was held for fifteen years, only to be surpassed in Nov 2022 past the album 25 past Adele, which sold over iii.38 million albums in the U.s. in its first week.[4] The album vicious to number two in its second week, with additional sales of 612,000 copies.[67] It held this position for fifteen consecutive weeks.[68] [69] Past its fifth calendar week of availability, Oops!... I Did It Over again had sold over three million copies and had passed 5 million copies by August.[70] On its seventeenth week on the nautical chart,[71] it was certified septuple Platinum past the Recording Industry Association of America (RIAA) for shipments of 7 one thousand thousand units.[72] [73] The album spent 80-four weeks on the Billboard 200, xxx-ane weeks on the Canadian Albums Chart, and two weeks on the US Catalog Albums.[74] Oops!... I Did It Again debuted at number eighty-two on the European Top 100 Albums, and quickly peaked at number one;[75] it sold over four million copies inside the continent, being certified four-times Platinum by the International Federation of the Phonographic Manufacture.[76] Oops!... I Did Information technology Again reached number two on the UK Albums Nautical chart,[40] selling 88,000 copies in the first week of release; it remained in the meridian five for four weeks. The anthology debuted at number one in Canada, selling 95,275 copies in its beginning calendar week.[77]
It topped the French Albums Chart[78] and the German Offizielle Elevation 100, also beingness certified triple Platinum by the British Phonographic Manufacture (BPI),[79] double Gold past the Syndicat National de fifty'Édition Phonographique (SNEP)[lxxx] and triple Platinum by Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent 10 weeks in the top twenty;[82] information technology became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following year after shipping 140,000 copies to retailers.[83] [84] Oops!... I Did Information technology Again opened at number iii on the New Zealand Albums Chart and was certified Gold later on but one week on the chart.[85] The Recording Industry Clan of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did Information technology Once again became the third acknowledged album of 2000 in the United States, selling 7,893,544 albums co-ordinate to Nielsen SoundScan[87] and quaternary best-selling album according to Billboard Twelvemonth-End of 2000.[88] On January 24, 2005, the album was certified decuple Platinum (Diamond) past the Recording Industry Association of America (RIAA).[89] [xc] As well, the anthology landed at number twenty-seven on BMG Music Club best best-sellers list with 1.21 million units, behind Shania Twain's The Woman in Me (1.24 million) and Nirvana'southward Nevermind (1.24 million).[91] As of July 2009, the album has sold 9,184,000 copies in the United States, excluded copies sold through clubs, such every bit the BMG Music Service.[92] Worldwide, Oops!... I Did It Again sold 2.5 1000000 copies in its showtime week (2d highest first calendar week sales past a female artist worldwide) and sold 15 1000000 copies by the end of the twelvemonth. It was the best-selling female album and tertiary best selling album of 2000. The anthology has sold 20 million copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Amusement Grouping and BMG Music Publishing, claiming Spears' "What U See (Is What U Become)" and "Can't Brand You lot Dear Me" are "nigh identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What You See Is What You Go" in 1999 to one of Spears' representatives for consideration on a future album, though it was rejected.[93] The case was later on dismissed later on information technology was ruled that they lacked sufficient evidence and that there "weren't plenty similarities betwixt the two songs to prove copyright infringement."[94]
Track listing [edit]
| No. | Championship | Author(due south) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Oops!... I Did It Again" |
|
| 3:31 |
| 2. | "Stronger" |
|
| 3:23 |
| 3. | "Don't Go Knockin' on My Door" |
|
| 3:43 |
| four. | "(I Can't Get No) Satisfaction" |
| Rodney Jerkins | iv:23 |
| 5. | "Don't Let Me Be the Last to Know" |
| Lange | iii:50 |
| 6. | "What U Come across (Is What U Get)" |
|
| 3:36 |
| 7. | "Lucky" |
|
| 3:26 |
| eight. | "One Osculation from You lot" | Steve Lunt |
| 3:23 |
| ix. | "Where Are You Now" |
|
| iv:39 |
| 10. | "Tin't Make Y'all Beloved Me" |
|
| 3:17 |
| xi. | "When Your Optics Say It" | Diane Warren |
| four:29 |
| 12. | "Dear Diary" |
|
| 2:46 |
| Total length: | 44:37 | |||
| No. | Title | Writer(s) | Producer(due south) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| iv:06 |
| 13. | "Honey Diary" |
|
| ii:46 |
| Total length: | 48:24 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| iii:36 |
| 13. | "You Got It All" | Rupert Holmes | Eric Foster White | 4:43 |
| fourteen. | "Dear Diary" |
|
| two:46 |
| Total length: | 52:33 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| eleven. | "When Your Eyes Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| thirteen. | "You Got Information technology All" | Holmes | White | four:ten |
| xiv. | "Middle" |
|
| 3:31 |
| 15. | "Dear Diary" |
|
| 2:46 |
| Total length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| 1. | "Don't Let Me Be the Concluding to Know" (Anthology version) | three:fifty |
| 2. | "Don't Let Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
| three. | "Don't Permit Me Be the Terminal to Know" (Hex Hector Club Mix) | 10:12 |
| 4. | "Stronger" (MacQuayle Mix Prove Edit) | 5:21 |
| five. | "Stronger" (Pablo La Rosa'southward Tranceformation) | 7:21 |
| 6. | "Oops!... I Did It Once more" (Music video) | 4:eleven |
| 7. | "Lucky" (Music video) | four:07 |
| eight. | "Stronger" (Music video) | iii:37 |
| 9. | "Don't Let Me Be the Last to Know" (Music video) | 3:51 |
| Total length: | 30:52 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Oops!... I Did It Again" (Music video) | 4:20 |
| 2. | "Lucky" (Music video) | 4:14 |
| 3. | "Stronger" (Music video) | three:47 |
| iv. | "Oops!... I Did It Again" (Karaoke) | iv:17 |
| five. | "Lucky" (Karaoke) | 4:18 |
| 6. | "Stronger" (Karaoke) | iii:46 |
| Full length: | 25:25 | |
Notes
- Track iv, "(I Tin can't Go No) Satisfaction" is a comprehend of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adapted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Bricklayer, Sr. – editing
- Bobby Brownish – assistant engineer
- Flip Osman – assistant engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – banana engineer
- Alfred Bosco – banana engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Bricklayer, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Murphy – art direction, design
- Marking Seliger – back encompass, cover photo
- Larry "Rock" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken give-and-take
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – brand-upward
- Johnny Wright – direction
- Tom Coyne – mastering
- Nigel Greenish – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Hill – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Gene Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – groundwork vocals
- Nana Hedin – background vocals
- Darryl Anthony – groundwork vocals
- Nora Payne – background vocals
- Jeanette Söderholm – groundwork vocals
- Therese Ancker – background vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – groundwork vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Year-terminate charts [edit]
Decade-end charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
See also [edit]
- List of all-time-selling albums
- List of best-selling albums by women
- List of all-time-selling albums in the United States
- List of fastest-selling albums
Notes [edit]
- ^ As of Dec 2010, Oops!...I Did Information technology Once again has sold 9,201,000 copies in the United states co-ordinate to Nielsen SoundScan,[186] with boosted 1,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs similar the BMG Music Service, which were significantly popular in the 1990s.[92]
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- ^ Trust, Gary (May 27, 2012). "Ask Billboard: Spears, Lovato'south 'X'-cellent Sales". Billboard . Retrieved May 27, 2012.
- ^ "American anthology certifications – Britney Spears – Oops". Recording Industry Association of America.
- ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did Information technology Once more - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Over again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Over again - Amazon.com Music
- ^ "Oops!... I Did It Again (Special Britain Edition)". AllMusic. October 9, 2000. Retrieved Baronial 31, 2021.
- ^ "Oops!... I Did It Again [Nippon 2001 Bonus Tracks]". AllMusic. February thirteen, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did It Again AUSTRALIA Special Edition due west/Bonus Disc of Remixes And Videos". Record Runner USA . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Again 20th ceremony edition picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Yr by year. 1959-2002] (in Spanish). Madrid, Espana: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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